Only a few more days and it’ll be me, leaving on a jet ‘plane, knowing exactly when I’ll be back again (after British Fantasy Con in York) after the mass insanity that is a Worldcon, followed by much riotous living and weeping over the beauty of castles in France. Ah, the sad, sad life of a researching epic historical fantasy novelist!
If you’re coming to Loncon, and you see me wandering my jetlagged way through the halls, please don’t be shy. I’m shy enough for any number of people. No, really, I am. Say hello and tell me something fabulous about your con experience. Likewise at York, though by then I won’t be jetlagged, just worn out by all that French weeping.
Here is my appearance schedule for Loncon:
Saturday, August 16th 10 am- 11 am Capital Suite 7 + 12
Sunday, August 17th 11 am – 12 noon Capital Suite 7 + 12
Authors Accept, Encourage, and Create Fan Works Too
Fanfiction, fan art, and other forms of transformative works can be a sensitive topic with authors understandably having mixed reactions to works based on their creations. In this session four successful authors embrace forms of creative (not-for-profit!) ouput based upon their works. They discuss the benefits and difficulties of having fans creatively engage with their material. Beyond that they openly talk about their own experiences with fan works, whether they have written, still write, or read fanfiction or produce other forms of fan works.
Fellow panellists: Karen Hellekson, Seanan McGuire, Adam Christopher and Patrick Rothfuss.
Sunday, August 17th 12 noon – 1.30 pm Capital Suite 7 + 12
Seeing the Future, Knowing the Past
Fantasy’s use of prophecy – knowable futures – often parallels the way it treats the past, as something both knowable and stable: details of history known from a thousand years back, kingly bloodlines in direct descent for several hundreds of years, etc. In reality, George I of England was 58th in line for the throne and there is a Jacobean claimant still out there somewhere. No one really knows where France originated. History is messy and mutable. Why is fantasy so keen on the known?
Fellow panellists: William B. Hafford, Sarah Ash, Liz Bourke and Kari Sperring
Sunday, August 17th 4pm – 5 pm London Suite 5
A meet, greet and natter with fellow spec fic author Rjurik Davidson and lovely people who also like to meet, greet and natter.
Sunday, August 17th 6 pm – 7 pm Capital Suite 16
The Seriousness Business
Perhaps the two most critically acclaimed SF series of the last decade are Battlestar Galactica and Game of Thrones, and in each case the most common reason for that acclaim is their supposed seriousness: here are SF and fantasy with depth and darkness. Why is this the kind of genre material that the mainstream has embraced? Does the presumed ‘realism’ of this approach hold up to scrutiny? Has seriousness become a cliche? And to what extent do these shows, and their imitators, tell original stories and to what extent do they reinscribe a normative straight white heroism?
Fellow panellists: Juliet McKenna, Saxon Bullock, Emma England and Adrian Tchaikovsky
Sorry, no information as yet about what I’m doing at British Fantasy Con. When I know, you’ll know! But if you can make it, you should try, because the inestimable Kate Elliott will be one of the guests of honour.