Lucy works for Waterstones Booksellers in London, and has a BA in English & Creative Writing from Royal Holloway. She went on to complete an MA in Creative Writing under Andrew Motion in 2010. She lives in Devon.
Here’s Lucy in her own words …
“Both the characters and the central idea that drives Starborn have been around for a long time. I wrote the first chapter over ten years ago as a naïve seventeen year old and then set the story aside when I went to university. But it bubbled away beneath the surface, never leaving me alone, until I knew that I had to write it even if it never got published. That’s the thing about stories – they beg to be told, to be shared and this one is a culmination of everything I’ve ever loved about fantasy. Books by authors like Tolkien, Robin Hobb, Patricia McKillip Ursula Le Guin and countless others made being an awkward teenager bearable, and at the same time convinced me that I wanted to write too. The idea that people could enjoy my stories in the same way is part of why I write. To create a world so immersive that it’s able to sweep you away for a time – that’s my goal. And fantasy is a wonderful cloth to weave; its threads are rich and steeped in history. It’s able to express archetypes in a way quite unlike any other literary genre. To me, writing and fantasy are seamlessly interwoven and in all honesty I’m not sure I could write anything else. So what do I love about this genre? The worldbuilding for starters – I love exploring worlds so like and unlike our own. In those worlds, the impossible becomes the possible, lands are populated with strange peoples and creatures, and there’s an overriding sense of the epic – the struggle that so defines our race. I love the characters we meet in fantasy, the heroes, the antiheroes, the villains, the rogues, the innocents. When we read a story, we automatically become the protagonist; we suffer through their trials, we’re with them when they fall in love, we look out of their eyes at the unfolding of events. When it comes to character, traditionally fantasy has drawn rather distinct lines between ‘good’ and ‘evil’; the hero is often Campbellian, the villain his recognisable opposite. While movements like grimdark have turned that tradition on its head, I set out with a different aim, which was to tell a story that explored heroism as a concept instead of a given trait. I started with the phrase, ‘one man’s heroism is another man’s tyranny’ and thought about the subjectivity that statement embodies. It suggests heroism is defined by context and individual perspective, instead of objective characteristics. The crux of Starborn – as Kyndra, my protagonist, comes to discover – hinges on the actions of one man, whose crowning achievement makes him a saviour in some eyes and a monster in others. It’s up to the reader to decide which he is, or even whether it matters to the histories. This discussion provides the background context for Kyndra herself. I wanted to move away from the established rendering of the Garion-type hero as a hard-working, honest sort, instead drawing Kyndra as she would more likely be, living in a small community: sheltered, idealistic, stubborn. We are shaped by our childhood and our childhood environment and our earliest experiences colour everything we do. Kyndra has an unbelievably long journey ahead of her, which changes her more than she could ever imagine, so I wanted her to retain the roots of her thinking, to see the world – rightly or wrongly – through the eyes of someone who has grown up in an isolated community at peace. The very concept of war is alien to her, as are the attitudes that foster it, and she struggles to understand the divisions responsible for fragmenting a society. When you want to explore a particular subject, I think it’s important to have a recognisable base as reference, so there’s a lot you’ll find familiar about Starborn. It’s a rite of passage novel where the protagonist is living an ordinary life in a small corner of the world, but is inevitably swept up in wider events. Kyndra learns what it means to take control of those events instead of letting them steer her course and she comes face to face with the idea of destiny and what it might require of her. Of course Starborn is also full of magic, mysterious citadels, buried truths and unresolved conflicts – all the elements that make epic fantasy such fun to read and write. I love this genre for its possibilities, its powerful nostalgia for bygone eras. I love its various characters and settings, from dragons to sorcerers to epic battles. Fantasy allows us to ask poignant questions about society while sweeping us off on an epic journey with people in whom we can see ourselves. I’ve just finished the first draft of Book Two, where Kyndra and her companions encounter a host of new challenges. I always envisioned the series as a trilogy, so that the characters I’ve come to love have room to grow and time in which to tell their stories, and I can’t wait to share them with you.”  The hero of The (excellent ) Belgariad by David Eddings
Starborn is available now in-store and online. If you enjoy fantasy adventure with a strong female central character, some mystery and some romance, give it a read!